For photographers
The camera pushes over FTPS or SFTP to a credential minted for one event and expiring on its own. No cables, no card readers, no laptop.
The gap between the last frame and the first delivery is where a lot of a photographer's reputation is decided, and most of that gap is logistics: get home, find the reader, copy the card, wait.
A body that can transfer over the network sends straight into the event instead. You generate a session for the event, put those details into the camera's transfer settings, and shoot. Guests watching the gallery see the ceremony while the reception is still running — and a live monitor tells you if the camera has gone quiet, which is the failure you actually need to catch on the day.
It mints credentials scoped to that one event, with an expiry.
Whichever of FTPS or SFTP your body supports — the setup picks the right one for the model.
Frames arrive as the camera sends them. RAW files ride along as download-only originals.
Recent frames and a warning if nothing has arrived for a couple of minutes.
Rolling out behind a feature flag — it appears on an event once it is switched on for your studio.
